Friday, June 6, 2014

“The dusk after 1857 Sipoy Mutiny reappeared as the golden new dawn in 1911.”


By on 11:22 PM

“We cannot write like the English. We should not. We cannot write only as 
Indians. We have grown to look at the large world as part of us. Our method of 
expression therefore has to be a dialect which will some day prove to be as 
distinctive and colourful as the Irish or the American. Time alone will justify it.”



The victory lap at the 1911 IFA Shield final by the fighting unit of Mohun Bagan was not an  aftermath of a just another win but it was rather a socio-historic incident (or, accident?)  that not only defied the monolithic British rule but also challenged the concept of  ‘Standard Football’. The barefooted eleven players of Mohun Bagan virtually dragged the  white men of the East Yorkshire Club under their legs. The so long suppressed and  oppressed natives (Bengalis) had always the latent longing to assert a virtual triumph over  the imperialists. As far as the contemporary reports were concerned, the result of 2-1 in  favour of Mohun Bagan made them the microcosmic representation of the macrocosmic 
India. The historic happening not only materialized the dream to resist the growth of the  colonizers but also produced forth a nationalistic zeal all over India that British arrogance  could be challenged. Such victory had definitely been a premonition of the Indian  Independence that finally occurred after thirty seven years of this local ‘playful’ resistance.

The glorious triumph at the 1911 IFA Shield Final achieved by the fighting unit of Mohun Bagan was not a mere win but it was rather a socio-historic incident (or, accident?) that not only defied the monolithic and airtight British rule but also challenged the concept of Standard Football. The barefooted eleven players of Mohun Bagan virtually dragged the white men of the East Yorkshire Club under their legs. The so long suppressed and oppressed natives of Bengal had always the latent longing to assert a virtual triumph over the imperialists. The result of 2-1 in favour of Mohun Bagan made them the microcosmic representation of the macrocosmic India. My article will discuss how the historic happening not only materialized the dream to resist the growth of the colonizers but also produced forth a nationalistic zeal all over India that British arrogance could be challenged. Though the victory of Mohun Bagan has remained unsung in the pages of history, it was in fact a major attempt to question the basis of British supremacy at least in Bengal, though not in India.2 Allied with the implication that what Mohun Bagan today is India tomorrow, the crystallization of national identity was troped through the ideological aggressivity of the Green-Maroons.

The 1911 IFA Shield Final offered an open resistance not only by the eleven players but by the shadow of a total heterogeneous civilization that cabined, cribbed and confined the maverick greed of the Westerns. In the lens of Postcolonial studies, the corresponding amount of game probes the limits of representations that disrupt the received notion of ‘inferior’ natives through the iconic representation of the spatial fabrication. Thus through ‘adaptation’ and ‘appropriation’, the stereotypical fixity and positionality of the natives have been challenged by reworking the standard norms of existence on a playground:

Thus Green-Maroons, by mapping the fault line through the epochal ideology of social positionality, not only dismantled the monopoly of the Englishmen over the land of India but also set an iconic socio-political identity of the Indian civilization. Interestingly enough, Mohun Bagan won the Shield for the second time in 1947, the year of Indian Independence.

Colonizers physical disappearance has not assured the absolute independence of India. In spite of celebrating Independence Day of India on 15th August or Mohun Bagan Day on 29th July, the nation and the club – both are still strongly hold by the Western powers. Standing in the centenary year of that massive blow, it would be relevant to think in the dialectic of authenticity that how much ‘Indian’ is Mohun Bagan in 2011! Along with the advancement of time, the transformation of Mohun Bagan from the ‘National Club’ to ‘McDowell Mohun Bagan’ has been shaped following the patterns of marketable commodity and its additional consumer signs of ‘money’ and ‘buying power’.11 The leading players are now hired from foreign countries. Tinged with the cultural dynamics – from national integration in 1911 to cultural fragmentation in 2011, the strikers like Odafa Okolie and Jose Barreto (Captain) and the key players like Simon Storey (Forward) and the coaches and the supporting staff like Stephen David Darby (Chief Coach), Bernard Oparanozie (Assistant Coach) and Jonathan Corner (Physio
Cum Rehab Specialist) are all not at all Indian. One feels sorry to say that the Indianness along with the greenness and the freshness of the Bagan has been vanished. In spite of providing a mythical 1911 team, the Centenary bears a strong sense of ‘intellectual imperialism’ and the present situation definitely maps that imperial objectification along with the epistemic dominance is still going on and

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